The druid said: “We experience facts but observe fictions.”

A Procedural-Metaphysical Reconstruction of Reality and the Līlā of Māyā

By Bodhangkur

 

Abstract

This article reconstructs the metaphysical, cognitive, and cultural implications of Finn’s aphorism, “We experience facts but observe fictions.” Beginning from a precise definition of facts as momentary obtaining events, the paper develops a procedural ontology in which compound entities such as organisms, objects, and worlds exist only as stabilised fictions generated by cognitive systems operating on timescales slower than the underlying flux of events. This framework provides a rigorous explanation for the ancient Indian insight of Māyā (constructed appearance) and Līlā (dynamic play), showing that these concepts capture the emergent perceptual world with remarkable phenomenological accuracy. The result is a unified theory of how reality generates appearances and how cognition produces the world of experience.

 

1. Introduction: From Aphorism to Ontology

Finn’s aphorism—

“We experience facts but observe fictions.”

—encapsulates a profound distinction between two layers of reality:

·         Fact-level reality, composed of momentary events; and

·         Fiction-level appearance, constructed by cognitive systems to stabilise the flux of those events.

This paper reconstructs the natural, physical, and cognitive context in which this aphorism is not merely insightful but necessary. It further shows that the ancient Indian concepts of Māyā and Līlā accurately anticipated the structure of the observed world.

 

2. Facts: The Event-Level Constituents of Reality

2.1 Definition of a Fact

A fact is defined as:

a momentary obtaining state-of-affairs — an event that happens.

Examples:

·         A photon interacts with a retinal molecule.

·         A sodium-ion channel opens in a neuron.

·         A molecule vibrates in response to thermal energy.

These events are:

·         brief,

·         discontinuous,

·         quantised,

·         ontologically minimal.

2.2 Consequences of the Definition

1.     Facts are instantaneous or bounded in duration.
When the enabling conditions cease, the fact ceases.

2.     Facts are not objects but occurrences.
Objects persist only as aggregates of events.

3.     There is no such thing as an “enduring fact.”
Endurance belongs to interpretations, not events.

Thus:

Reality consists of events, not things.

 

3. The Human Organism: A Flux-System of Micro-Facts

3.1 Biological Composition

A human organism comprises:

·         ~73 trillion cells,

·         each containing ~100 trillion atoms,

·         each atom constituted by dynamic subatomic interactions.

Every component is in continual flux:

·         Atoms exchange.

·         Molecules fold and unfold.

·         Cells metabolise and die.

·         Neurons fire synchronously and asynchronously.

No component remains the same across time, not even over milliseconds.

Thus:

No human being exists as a fact; only as a continuous flux of micro-facts.

3.2 Identity as Fiction

The “self,” the “body,” and the “organism” are not single facts. They are:

·         stabilised patterns,

·         coherence-maintaining procedures,

·         functional interpretations projected across flux.

These patterns behave like stable entities but do not exist as such.

They are realistic because they produce reliable continuity;
fictional because no factual event corresponds to the purported stable entity.

 

4. Cognitive Timescales: Why Observation Cannot Access Facts

4.1 Temporal Compression

Cognitive systems integrate sensory information over windows of:

·         50–200 ms (perceptual coherence),

·         300–700 ms (conscious access).

In that same window, millions of micro-events occur.

Thus:

We do not and cannot observe individual facts.
Observation must compress and stabilise them.

4.2 The Mind as a Fiction-Generator

To act effectively, the brain must:

·         impose object-constancy,

·         create boundaries,

·         form categories,

·         stabilise continuities,

·         construct narrative coherence.

Perception is therefore not a passive reflection of reality but an active constructive process.

Thus:

Observation necessarily generates fictions:
structured, stable interpretations of volatile underlying facts.

4.3 Example

A chair appears stable.

In reality:

·         its molecular bonds vibrate,

·         its atoms exchange with the environment,

·         photons bounce off its surface in shifting patterns,

·         no event-level stability exists.

The “chair” is a fiction constructed by the perceptual system to support action and prediction.

 

5. Experiencing Facts vs. Observing Fictions

5.1 Experience = Internal Registration of Fact-Events

When pain is felt, when pressure is sensed, when heat is registered, the organism is responding directly to event-level reality.

Experience is the organism’s being acted upon by micro-facts.

Example:
Touching a hot stove produces a cascade of real-time molecular and neural events. The pain is the immediate experiential registration of those facts.

Thus:

Experience is fact-driven.

5.2 Observation = Interpretative Reconstruction

By contrast, when one “observes a hand touching a stove,” one is not perceiving facts but:

·         integrating thousands of micro-events,

·         stabilising them into meaningful structures,

·         imposing continuity and identity.

Thus:

Observation is fiction-driven.

This distinction grounds Finn’s aphorism.

 

6. The Līlā of Māyā: Ancient Indian Intuition Revisited

6.1 Māyā as Cognitive Appearance

In classical Indian thought, Māyā refers not merely to illusion but to the world as constructed appearance—the realm of name-and-form (nāmarūpa) that does not correspond to ultimate reality.

Under our framework:

Māyā = the stabilised, fiction-level world generated by cognitive integration.

It is not false; it is constructed.
It is not deceptive; it is functional.

Perception presents not the real but the usable.

6.2 Līlā as Dynamic Reconfiguration

Līlā, the world as dynamic play, is an apt description of the ceaseless reconfiguration of perceptual fictions in response to flux.

Because:

·         reality is event-driven,

·         cognition stabilises patterns,

·         flux continuously destabilises them,

·         yet cognition restabilises the world anew—

the observed world appears as a performance, a staged display, a continuous unfolding.

Thus:

Līlā = the dynamic reshaping of fictions under pressure of factual flux.

6.3 Why the Intuition Was Accurate

Ancient Indian thinkers lacked neuroscience but possessed acute phenomenological insight:

·         the world appears stable yet is not,

·         the world appears structured yet continually shifts,

·         identity appears unified yet is composed of parts in flux.

Our model shows that this intuition was structurally correct.

Māyā and Līlā describe not metaphysical illusion but:

·         the cognitive interface,

·         the perceptual display layer,

·         the world as constructed coherence over real flux.

This is precisely what our metaphysics predicts.


7. The World as Interface: Reality Emergent in Two Layers

We may now summarise:

1.      Layer 1: Fact-Reality

o    composed of momentary events

o    discontinuous

o    dynamic

o    not directly observable

2.      Layer 2: Fiction-Reality

o    composed of perceptual constructions

o    stabilised

o    useful

o    corresponds to MāyāLīlā

Thus:

Reality presents itself in two ontological strata:
what happens (facts) and what appears (fictions).

This dual-layered ontology is not metaphysical dualism but procedural necessity: a living system cannot operate at the timescale of events and thus must generate stabilised appearances.

 

8. Conclusion: The Natural Context of Finn’s Aphorism

We now see the structural inevitability of Finn’s statement:

“We experience facts but observe fictions.”

It expresses the fundamental organisation of reality and cognition:

·         We experience facts because the organism is built from facts and responds directly to micro-events.

·         We observe fictions because observation is a cognitive construction generated to stabilise, interpret, and make actionable the flux of events.

This duality leads naturally to the ancient Indian insights:

·         Māyā = the world of constructed fictions we observe.

·         Līlā = the dynamic play of those fictions as they continuously reconfigure under the influence of flux.

The world as it appears to us is not the world of facts but the world of interpretations—a world staged, stabilised, and performed by cognitive processes operating within a universe of events.

Thus the ancient intuition was precisely right:

The world we observe is the Līlā of Māyā
the dynamic play of stabilised fictions enacted atop the flux of facts.

And Finn's aphorism names the mechanism by which this play becomes possible.

 

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