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The Idiosyncrasies of
Spinoza Substance and Ethics
Reconsidered With a Procedural Commentary by Finn the Druid I. Introduction: The Geometry of the Singular Baruch
Spinoza’s Ethica ordine
geometrico demonstrata
remains one of the most systematically rigorous and yet conceptually deviant
constructions in the history of philosophy. Written in the style of Euclid’s Elements,
its chain of definitions, axioms, and propositions appears to promise a
purified objectivity. Yet beneath this architectural precision lies a
profound semantic radicalism. Spinoza’s use of the terms substance and
ethics—words deeply entrenched in scholastic and theological
discourse—deviates sharply from the inherited meanings his contemporaries
assumed. To grasp
Spinoza’s originality, one must recognize that his system does not simply
modify received categories; it rewires them. His “substance” is
neither the Aristotelian hypokeimenon (the
underlying bearer of attributes) nor the Cartesian res (mind or body). His
“ethics” is not moral exhortation but an ontological physics of human
persistence. The result is a monism both elegant and disquieting—one that
flattens transcendence and translates salvation into cognition. In what
follows, I shall explore the idiosyncratic nature of these redefinitions and,
by contrasting them with Finn’s Procedure Monism, expose the differing
ontological instincts of two monists separated by centuries yet united by a
commitment to radical immanence. II. Substance Without a Subject In Ethics
I, Spinoza defines substance as “that which is in itself and is conceived
through itself.” At first glance this echoes scholastic formulations. Yet his
deployment of the phrase in se—in itself—shifts
the meaning from metaphysical substrate to self-contained causality.
Substance is not the bearer of attributes; it is the process by which
bearing and borne coincide. It is causa sui—the cause of itself. This is
the first idiosyncrasy: substance as infinite self-production. Nothing,
for Spinoza, can exist outside this infinite being. Consequently, there can
be only one substance, infinite and indivisible, whose essence entails
existence. The apparent plurality of things is reinterpreted as a
multiplicity of modes—finite determinations or “affections” of the
single substance. God, Nature, and the World collapse into a single plane of
necessity: Deus sive Natura. Where
Descartes preserved dualism by positing two fundamental substances—mind and
body—Spinoza’s definition annihilates the very logic of duality. Substance
has infinite attributes, of which thought and
extension are the two known to us. The human being, therefore, is a finite
modification expressed simultaneously in two registers: as a body under
the attribute of extension and as an idea under the attribute of thought. Substance,
in this architecture, does not create its modes as a transcendent
artisan; it manifests them immanently, as an ocean produces waves that
are nothing other than its own motion. Hence
Spinoza’s God neither chooses nor judges. The deity is identical with the
causal network itself—the totality of necessary relations. The metaphysical
hierarchy of Creator and creation collapses into an immanent continuum of
cause and effect. This
definition of substance, though linguistically familiar, is conceptually
idiosyncratic: ·
It rejects support ontology (substance as
underlying thing). ·
It rejects transcendent theology (God as
separate will). ·
It replaces being with processual
self-expression. From the
standpoint of classical metaphysics, this is an inversion. Substance ceases
to underlie phenomena; it becomes the active relational matrix within
which phenomena appear and dissolve. III. Ethics Without Morality Spinoza’s
second great redefinition concerns the word ethics. To the moral
philosophers of his age, ethics meant a discipline of right conduct—of
obedience to divine law or rational duty. For Spinoza, however, there can be
no lawgiver distinct from Nature itself, no moral decree inscribed in the
heavens. What can there be, then, of ethics once the moral cosmos is replaced
by immanent necessity? He
answers by turning ethics into a natural science of human persistence. The key
propositions of Ethics IV and V redefine “good” and “bad” as
purely functional: ·
Good = that which enhances a
being’s power of acting. ·
Bad = that which diminishes it. These are
relational, not absolute, terms. Nature itself is amoral; it operates
through infinite determinations without preference or purpose. To call
something “good” or “bad” is simply to describe its effect relative to one’s
own structure of persistence. Virtue (virtus) becomes identical with power (potentia): “To act
from the laws of one’s own nature is virtue itself.” The moral
man is redefined as the adequately functioning system. Spinoza’s
ethics thus becomes physics of the self—a study of how a finite
mode can understand the causal order that produces it and thereby act with
greater coherence. The highest ethical condition is not obedience but
knowledge—the clear and distinct comprehension of necessity that leads to beatitudo, the joy of self-understanding. This
transformation of ethics from moral rule to ontological comprehension marks
Spinoza’s second major idiosyncrasy. He substitutes the ought with the
is and discovers within it the ground of the
highest human freedom. IV. The Cognitive Turn: Amor Dei Intellectualis The
culmination of Spinoza’s ethics is amor Dei intellectualis—the
“intellectual love of God.” In a
world “red in tooth and claw,” such love may appear delusional. But for
Spinoza, to understand the lion’s hunger and the lamb’s death as equally
necessary expressions of divine causality is to transcend moral outrage and
attain serenity through comprehension. Love here
equals adequate understanding. It is an epistemic affect,
not an emotional one. The ethical life culminates not in compassion or
virtue-signalling but in ontological lucidity: the recognition that we are
finite articulations of a single, self-expressive reality. This form
of love presupposes the idiosyncratic ethics already described—an
ethics stripped of morality, embedded in necessity, and animated by
understanding. V. Finn’s Procedural Commentary: Knowledge Over Passion Enter
Finn, the modern druid, whose Procedure Monism restages the Spinozist
drama in contemporary, computational terms. For Finn, the cosmos is not an
infinite “substance” but an infinite procedure—a self-executing
algorithm that generates coherent iterations (quanta, selves, systems)
through the continual transformation of randomness into identifiable form. Spinoza’s
insight into immanent causality resonates with Finn’s conception of the Universal
Procedure, but their ethical axes diverge. Spinoza opposes passion
to action—a moral-psychological binary rooted in the Stoic ideal of
apatheia. Finn dissolves that binary entirely. For him,
passion is not a defect but an energetic substrate—the dynamical fuel
of emergence. The real antithesis lies not between passion and reason but
between knowing and not-knowing. Ethics, in Finn’s system,
becomes the procedure’s capacity to act from knowing—that is, from
self-understanding—rather than from ignorance of its own constraints. Where
Spinoza seeks freedom through rational understanding of necessity, Finn
defines freedom as procedural coherence—the degree to which an
emergent accurately performs its own algorithm. Thus Spinoza’s idiosyncrasy
becomes, in Finn’s hands, a bridge to procedural naturalism: ethics without
morality, but also without psychological negation. VI. The Ontological Shift: From Substance to Procedure What
Spinoza called “substance,” Finn reinterprets as “procedure.” The shift is
subtle but decisive. ·
Spinoza’s substance is static
infinitude—an eternal being whose modes unfold necessarily. ·
Finn’s procedure is dynamic
discontinuity—a quantised, serial operation through which identity and
realness emerge moment by moment. Spinoza’s
universe is continuous and necessary; Finn’s is discrete and probabilistic.
Yet both reject transcendence, both dissolve the dualism of creator and
created, and both ground ethics in the internal logic of existence itself. The
difference lies in emphasis: VII. Examples and Illustrations 1. The
Predator and the Prey o Spinoza: Both act according to their natures; the prey’s death is a
necessary expression of Nature’s totality. Understanding this yields
serenity. o Finn: Both
are local procedures optimising survival. Their interaction is a data
exchange within Alma’s system. Understanding this yields adaptive insight,
not serenity. 2. The
Scientist and the Superstitious o Spinoza: The
scientist acts from adequate ideas, hence is freer. The superstitious man
acts from inadequate ideas, hence is passive. o Finn: The
scientist operates from knowing; the superstitious from not-knowing. Both are
procedural iterations, but one functions coherently, the other inefficiently. 3. Ethical
Judgement o Spinoza: Murder
is “bad” because it diminishes the power of human community, not because it
violates divine law. o Finn: Murder
is procedurally incoherent—it destroys local continuance and disrupts
cooperative system integrity. The category of “sin” is meaningless. VIII. Conclusion: The Legacy of Idiosyncrasy Spinoza’s
system stands as a monument of conceptual audacity: he redefined both substance
and ethics to dissolve dualism, abolish morality, and ground freedom
in understanding necessity. His definitions were idiosyncratic not because
they were eccentric, but because they re-invented the grammar of
metaphysics. Finn’s Procedure
Monism inherits this immanent ambition but translates it into the idiom
of modern complexity theory and quantum discreteness. Where Spinoza spoke of substance
as infinite cause, Finn speaks of procedure as universal computation;
where Spinoza’s ethics sought knowledge of necessity, Finn’s seeks the operational
coherence of knowing. Both
thinkers, in their divergent idioms, reject the external lawgiver and the
moralised universe. Both construct a cosmos where understanding replaces
worship and function replaces faith. Yet Finn’s intervention reveals what
Spinoza’s geometric stillness could not: that knowing itself is a dynamic,
discontinuous event—a quantum of contact within the ever-reiterating
Procedure that is Nature In short: |